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Joyful Spring Jefferson Memorial Engagement: Avani + Siddharth

Writer: Mantas Kubilinskas
Mantas Kubilinskas
Apr 16, 2019
3 min read

Updated: 6 days ago

Avani and Siddharth holding hands between the Jefferson Memorial’s stone columns

Avani and Siddharth wanted their engagement session at the Jefferson Memorial on a beautiful, sunny spring day. Their joy spread to the people walking by, who laughed and smiled with us.

Couple embracing beside a tall stone column
Couple standing together with the Washington Monument behind them
Couple walking between sunlit columns as other visitors pass
Smiling couple embracing with the Jefferson Memorial behind them
Small figures beneath a broad bridge structure with alternating light and shadow
Couple walking through a strip of sunlight beneath a bridge
Woman in the foreground with her partner standing beside a wall behind her
Wide photograph of a couple beneath a bridge beside the water
Black-and-white portrait of a man touching his hair with his partner behind him
Woman standing by a green doorway beneath bare trees
Black-and-white couple portrait beneath a tall arched passage

The day Avani and Siddharth made strangers smile

Avani and Siddharth chose a sunny spring day for their engagement photographs at the Jefferson Memorial. What I remember from the original story is the way their energy reached beyond the two of them. People passing by smiled and laughed with us. That is a wonderful reminder that an engagement session does not have to feel like a private performance with a photographer giving orders from start to finish.

When the atmosphere is that easy, I try not to interrupt every moment to move a hand or straighten a shoulder. I watch what happens when two people speak to one another and notice how their expressions change. A few carefully directed frames are still useful, especially with strong architecture behind them, but I want the spontaneous moments to carry their own weight.



Using the Jefferson Memorial without making it the subject

The Memorial has scale, pale stone and architectural lines that can give a portrait a strong sense of Washington, DC. The temptation is to make every frame symmetrical and monumental. I prefer a mix. A wider scene tells you where the couple was, then a close image returns attention to a laugh or a quiet look. Both are part of the same story.

A busy public setting also asks for patience. Visitors may move through a background and the light may change while you are waiting. Rather than treating that as a problem to eliminate, we can use different viewpoints and work within the areas open to the public. There is no need to claim the whole landmark for a photograph.



Planning a spring engagement session at the Memorial

Before another session, I would confirm current photography and access requirements with National Mall and Memorial Parks. Pick a meeting point, decide how much walking feels comfortable and build in a little time for the unexpected. A useful plan has an approximate start, a few visual priorities and a backup if weather or restrictions change.

Choose clothes you can move in and shoes that let you walk between portrait areas without constantly stopping. We can take a few intentional photographs that suit announcements or prints, then let the rest of the session feel like time together. A sunny day was part of Avani and Siddharth's experience, but it is the connection between them that makes the photographs worth keeping.



Choosing photographs you'll still want to see years later

When selecting photographs from an engagement session, I look beyond the most dramatic composition. A portrait with the whole Memorial behind the couple tells one part of the story. A small reaction, an easy laugh or a moment when both people forget to be photographed can tell another. Those images deserve a place beside the obvious favorites.

Think about where the photographs will live. A vertical portrait may work for an announcement, while a wide frame can make a beautiful print. It helps to mention those plans before the session, so I can leave enough space in a composition where it matters. The gallery should also be enjoyable on its own, even if no photograph is ever printed.

Avani and Siddharth's spring afternoon is its own memory. The point of these planning notes is not to reproduce it, but to help another couple make room for their own.


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